
Originally Posted by
Nicolai Ouroussoff
For the Times tower he selected Mr. Piano's design over more predictable proposals by Cesar Pelli and Norman Foster. (Mr. Gehry withdrew from the competition toward the end.) A soaring glass structure clad in a pattern of delicate ceramic rods, the Times project suggests that the old order that dominated development in New York for so long is finally passing, and with it the argument that only big corporate firms — not "dreamers" or "creative types" — could get things done.
But Mr. Piano has lost crucial battles along the way. To cut costs Mr. Ratner had him eliminate an elegant rooftop garden that would have been framed by extensions of the building's glass curtain wall. Also abandoned were some of the cantilevered staircases that would have offered a fluid connection between office floors.
More interesting, Mr. Piano had proposed an open, loftlike floor plan, placing elevators along the length of one side of the building rather than arranging them within a central elevator core. That was also jettisoned. Clearly, in a building whose upper floors are being marketed to law firms, he had violated a vital marketing formula: Don't mess with executive offices.
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